Wuthering Heights

Rooney calls it Fennell's most purely entertaining film — pulpy, provocative, drenched in blazing color and opulent design.

Variety finds Fennell's carnal reinvention bold and engaging, though her flashy directorial style transforms the iconic characters in notable ways.

IndieWire gives it a B, noting Fennell's devotion to the central relationship makes for more than enough juicy material across 136 minutes.

A bold filmmaker unafraid to try something new, but after a powerful opening the film becomes increasingly timid with aggressively styled set pieces.

Deadline reviews Fennell's steamy, divisive adaptation of the Brontë classic.

Empire praises the film's visual ambition and Fennell's signature provocative edge in reimagining the classic story.

Fennell explains her decision to cast Elordi, saying he looked exactly like the illustration of Heathcliff on the first book she read.

Deadline breaks the casting news of Robbie and Elordi as Catherine and Heathcliff in Fennell's third feature.

Fennell responds to casting backlash and describes her vision as 'primal, sexual' — how she felt reading the book for the first time.

Robbie and Elordi discuss their collaboration with Fennell and the intense chemistry required for their roles.

DP Linus Sandgren discusses shooting on 35mm and VistaVision to achieve a textured, romantic look that felt like a 14-year-old reading Brontë for the first time.

A breakdown of the significant changes Fennell made from the source material, from added sexuality to missing characters.

Fennell's adaptation will open in IMAX at BFI London, signaling Warner Bros.' prestige positioning of the film.

Sean and Amanda are joined by Sam Sanders to break down Fennell's provocative Brontë adaptation alongside Harry Lighton's Pillion.

JD and Brendan discuss Emerald Fennell's divisive adaptation and where it ranks in her filmography.

IndieWire's podcast examines whether early social media reactions oversold Fennell's take on the Brontë classic.

NYT's chief critic finds Fennell has 'drenched the screen with torrential rain, filled it with pantomimes of passion and tried hard to compete with Emily Brontë' — calling it a mistake.